Beth Herstein interviews Linsey about the beginnings of Rappaccini’s Daughter, meeting Michael, our collaborative process on RD and in general. She asks: How did a fiction writer get into this? Is writing an opera like writing fiction? (Yes and no. It does bear some resemblance to writing a novel.) Why did we call this an operatic musical? (Good question.) And what is our next project together?
Click the link below for the answers to these and other mysteries.
LINSEY ABRAMS 
great collection :)