Beth Herstein interviews Linsey about the beginnings of Rappaccini’s Daughter, meeting Michael, our collaborative process on RD and in general. She asks: How did a fiction writer get into this? Is writing an opera like writing fiction? (Yes and no. It does bear some resemblance to writing a novel.) Why did we call this an operatic musical? (Good question.) And what is our next project together?
Click the link below for the answers to these and other mysteries.